The story focuses on 2 objects, a rare set of 18th-century Limoges china, as well as a 19th century aristocratic portrait. As these products are passed, sold, or stolen from one character to an additional, a woozy round dance of excess begins to take shape, one which suggests that if background does not repeat itself, it definitely rhymes. Together with co-writer Gérard Brach, whose various other co-writing credit ratings include Repulsion as well as Tess, Otar Iosseliani uses a feather-light touch to reveal the futility of class and also caste, making a bagatelle of the concerns of abundant as well as inadequate alike.
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The story focuses on 2 objects, a rare set of 18th-century Limoges china, as well as a 19th century aristocratic portrait. As these products are passed, sold, or stolen from one character to an additional, a woozy round dance of excess begins to take shape, one which suggests that if background does not repeat itself, it definitely rhymes. Together with co-writer Gérard Brach, whose various other co-writing credit ratings include Repulsion as well as Tess, Otar Iosseliani uses a feather-light touch to reveal the futility of class and also caste, making a bagatelle of the concerns of abundant as well as inadequate alike.
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